Coleridge and the Uses of DivisionFellow and Tutor Balliol College Lecturer English Faculty Seamus Perry, Seamus Perry, Seamus (Lecturer in English Literature Perry, Lecturer in English Literature University of Glasgow) Clarendon Press, 1999 - 303 էջ Coleridge was a visionary drawn to the numinous, but he was also a spontaneous connoisseur of the sensory life. Such double-mindedness has often been criticized as a sort of incapacity; but the capability of entertaining equally necessary kinds of perception might be thought a kind of virtue. The study examines Coleridge's formative double-vision as it manifests itself in his profound self-analysis, his philosophy of mind, and his literary criticism. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Բովանդակություն
INTRODUCTION | 1 |
COLERIDGES VISIONS | 35 |
THE MIND | 102 |
THE ETHICS OF IMAGINING 155 4 THE ETHICS OF IMAGINING | 155 |
MILTON | 209 |
Resolution and Independence | 274 |
The Incomprehensible Mariner | 281 |
293 | |
Common terms and phrases
activity aesthetic appear beauty becomes Beer Berkeley Biographia called character claim Coleridge Coleridge's conception consciousness criticism describes distinction diversity divine division dream effect Empson English especially Essays evidently existence experience expression external fact feel Fragments Friend genius Hazlitt human ideal ideas imagination implies important individual interest John kind language later Lectures less Letters lines literary living Logic look material matter means metaphor Milton mind moral muddle nature never Notebooks objects observation once opposite original Oxford Paradise particular philosophical phrase plurality poem poet poetic poetry position praise Preface principle prose quoted reading realism reality Reason repr Romantic seems sense Shakespeare Shakespearian soul speaks spirit sublime suggests takes theory things thought tion true truth TTalk turn unity universe vision vols whole Wordsworth writes