An Introduction to Literature, Criticism, and Theory: Key Critical ConceptsPrentice Hall, 1995 - 238 էջ An Introduction to Literature, Criticism and Theory is an indispensable guide. In twenty-four short, compelling and highly readable chapters, this book presents the key critical concepts in literary studies today. Bennett and Royle avoid the jargonistic, abstract nature of much 'theory'. Instead they explore crucial issues in contemporary criticism and theory by focusing closely on a range of literary texts - from Chaucer to Achebe, from Milton to Morrison. This book is essential reading for students of literature and English Studies. It can also be recommended as a general introduction for students in the humanities. |
From inside the book
Արդյունքներ 24–ի 1-ից 3-ը:
Էջ 34
... uncanny : literature is the kind of writing which most persistently and most provocatively engages with the uncanny aspects of experience , thought and feeling . In some ways this is in keeping with the sort of conception of literature ...
... uncanny : literature is the kind of writing which most persistently and most provocatively engages with the uncanny aspects of experience , thought and feeling . In some ways this is in keeping with the sort of conception of literature ...
Էջ 37
... uncanny revelation . Eliot's narrator , Lat- imer , describes how he suddenly becomes capable of reading others ' thoughts . In this way he presents an uncanny example of one of the most fundamental characteristics of narrative fiction ...
... uncanny revelation . Eliot's narrator , Lat- imer , describes how he suddenly becomes capable of reading others ' thoughts . In this way he presents an uncanny example of one of the most fundamental characteristics of narrative fiction ...
Էջ 39
... uncanny , as Freud's essay makes clear . The uncanny is not simply a matter of the mysterious , bizarre or fright- ening : as we have tried to suggest , it involves a kind of duplicity ( both doubling and deception ) within the familiar ...
... uncanny , as Freud's essay makes clear . The uncanny is not simply a matter of the mysterious , bizarre or fright- ening : as we have tried to suggest , it involves a kind of duplicity ( both doubling and deception ) within the familiar ...
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