Romantic Poets and the Culture of PosterityCambridge University Press, 02 դեկ, 1999 թ. - 268 էջ This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
From inside the book
Արդյունքներ 81–ի 1-ից 5-ը:
Էջ 1
... century, the textual afterlife becomes increas- ingly important as an impulse for the production of poetry and increas- ingly prominent in the theory of literature. Writers, artists and other manufacturers of cultural artefacts have a ...
... century, the textual afterlife becomes increas- ingly important as an impulse for the production of poetry and increas- ingly prominent in the theory of literature. Writers, artists and other manufacturers of cultural artefacts have a ...
Էջ 2
... century. By the early nineteenth century, authorial identity has become crucial to the shape of the more advanced modern poetry. Indeed, poetry begins to be under- stood as not only recording the life of the poet but actually ...
... century. By the early nineteenth century, authorial identity has become crucial to the shape of the more advanced modern poetry. Indeed, poetry begins to be under- stood as not only recording the life of the poet but actually ...
Էջ 3
... century , the possibility of such discriminations becomes crucial to reading and to the new discipline of literary criticism . In order to discriminate the poet from the scribbler or hack , the poem from common , everyday verse ...
... century , the possibility of such discriminations becomes crucial to reading and to the new discipline of literary criticism . In order to discriminate the poet from the scribbler or hack , the poem from common , everyday verse ...
Էջ 5
... century neoclassical arguments concerning aesthetic evaluation and the ' test of time ' on the other . In chapter 2 ... centuries . As I seek to show , even in its most canonical moment , however , this cultural production of a necessary ...
... century neoclassical arguments concerning aesthetic evaluation and the ' test of time ' on the other . In chapter 2 ... centuries . As I seek to show , even in its most canonical moment , however , this cultural production of a necessary ...
Էջ 7
... century novelist , dramatist or essayist requires a very different kind of analysis from that which is proposed here . Poetry , figured within the culture of literary , ' high ' Romanticism as the primary vehicle for artistic survival ...
... century novelist , dramatist or essayist requires a very different kind of analysis from that which is proposed here . Poetry , figured within the culture of literary , ' high ' Romanticism as the primary vehicle for artistic survival ...
Այլ խմբագրություններ - View all
Common terms and phrases
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing