Romantic Poets and the Culture of PosterityCambridge University Press, 02 դեկ, 1999 թ. - 268 էջ This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
From inside the book
Արդյունքներ 66–ի 1-ից 5-ը:
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... essay entitled ' On Posterity ' in The Yale Journal of Criticism 12 : 1 ( 1999 ) . I am grateful to the editors of these volumes for per- mission to use this material . Abbreviations BL BLJ CCH CL CN CW DQW EY KCH Acknowledgements xi.
... essay entitled ' On Posterity ' in The Yale Journal of Criticism 12 : 1 ( 1999 ) . I am grateful to the editors of these volumes for per- mission to use this material . Abbreviations BL BLJ CCH CL CN CW DQW EY KCH Acknowledgements xi.
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... Essays on Epitaphs ( 1809-10 ) , Thomas Lovell Beddoes's Death's Jest Book ( 1825-28 ) , Tennyson's In Memoriam ( 1850 ) , Hardy's poems of 1912-13 , Joyce's ' The Dead ' ( 1914 ) , the ' Hades ' episode from Ulysses ( 1922 ) and ...
... Essays on Epitaphs ( 1809-10 ) , Thomas Lovell Beddoes's Death's Jest Book ( 1825-28 ) , Tennyson's In Memoriam ( 1850 ) , Hardy's poems of 1912-13 , Joyce's ' The Dead ' ( 1914 ) , the ' Hades ' episode from Ulysses ( 1922 ) and ...
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... Essay on the Principles of Human Action ( 1805 ) , declares that ' It is only from the interest excited in him by future objects that man becomes a moral agent ' , but at the same time tries to argue for man's natural disinterestedness ...
... Essay on the Principles of Human Action ( 1805 ) , declares that ' It is only from the interest excited in him by future objects that man becomes a moral agent ' , but at the same time tries to argue for man's natural disinterestedness ...
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... essay from 1913 , and answers by quoting a poem by Evgeny Abramovich Baratynsky : ' So will I find a reader in posterity ' . 18 ' Poetry as a whole ' , Mandelstam remarks , ' is always directed at a more or less distant , unknown ...
... essay from 1913 , and answers by quoting a poem by Evgeny Abramovich Baratynsky : ' So will I find a reader in posterity ' . 18 ' Poetry as a whole ' , Mandelstam remarks , ' is always directed at a more or less distant , unknown ...
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aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing