Romantic Poets and the Culture of PosterityCambridge University Press, 02 դեկ, 1999 թ. - 268 էջ This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
From inside the book
Արդյունքներ 62–ի 1-ից 5-ը:
Էջ 2
... tion. Once the conditions of publication and the market for books have given poetry audiences a certain anonymity, and once the democratisa- tion of the readership has allowed a certain degradation and, by associ- ation, a feminisation ...
... tion. Once the conditions of publication and the market for books have given poetry audiences a certain anonymity, and once the democratisa- tion of the readership has allowed a certain degradation and, by associ- ation, a feminisation ...
Էջ 3
... tion which stresses the importance of the poet's originating subjectivity , and of the work of art as an expression of self uncontaminated by market forces , undiluted by appeals to the corrupt prejudices and desires of ( bourgeois ...
... tion which stresses the importance of the poet's originating subjectivity , and of the work of art as an expression of self uncontaminated by market forces , undiluted by appeals to the corrupt prejudices and desires of ( bourgeois ...
Էջ 4
... tion of immortality and while Enlightenment poetics figure the test of time as the necessary arbiter of poetic value , Romanticism reinvents pos- terity as the very condition of the possibility of poetry itself : to be neglected in ...
... tion of immortality and while Enlightenment poetics figure the test of time as the necessary arbiter of poetic value , Romanticism reinvents pos- terity as the very condition of the possibility of poetry itself : to be neglected in ...
Էջ 5
... tion . And it is my suggestion that it is in the collapse of this theory in its working through , in multiple , conflicted ways , of an impossible figuration of audience , that we may look to understand the survival of those poets who ...
... tion . And it is my suggestion that it is in the collapse of this theory in its working through , in multiple , conflicted ways , of an impossible figuration of audience , that we may look to understand the survival of those poets who ...
Էջ 8
... tion of the ephemeral . ' Surprised by Joy ' , ' This Mortal Body of a Thousand Days ' and ' Churchill's Grave ' all , in their different ways , cel- ebrate or commemorate the momentary , the ephemeral – a moment of ' joy ' and its ...
... tion of the ephemeral . ' Surprised by Joy ' , ' This Mortal Body of a Thousand Days ' and ' Churchill's Grave ' all , in their different ways , cel- ebrate or commemorate the momentary , the ephemeral – a moment of ' joy ' and its ...
Այլ խմբագրություններ - View all
Common terms and phrases
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing