Lots of Fun at Finnegans Wake: Unravelling UniversalsOUP Oxford, 30 օգս, 2007 թ. - 278 էջ This book is a critical introduction to Finnegans Wake and its genesis. Finn Fordham provides a survey of critical, scholarly, and theoretical approaches to Joyce's iconic masterpiece. He also analyses in detail the compositional development of certain key passages which describe the artist (Shem) and his project; the river-mother (ALP) and her 'first kiss'; the Oedipal shooting of the universal father (HCE) by the priestly son (Shaun); and the bewitching and curious daughter (Issy). His analyses demonstrate 'genetic' ways of reading the text which illustrate its immense range and playfulness and how these qualities were generated in composition. As well as opening up the densely detailed textuality of the Wake in all its multiplicity, Fordham argues for a relation between the way the text was formed and key aspects of its thematic content: an uprising of particularity and detail against universality, absolutes, and generality. He shows that the proliferation of individuated textual details overwhelms any unitary concept to the text. And this reflects an idealized and utopian uprising as it overcomes centralizing singularity: Finnegans do wake up. As part of this argument he proposes a qualified return to a notion of character - qualified in that characters can be understood in part as reflecting the character of compositional techniques: self-criticism and concealment, expansion and growth, flow and reflection, transferral and transformation. The character of the text's composition as a whole can be, paradoxically, summed up in the force of individuated multitudes: in the people, male and female, young and old, combining to overwhelm syntactic uniformity and singular signification. Quotations from the works of James Joyce reproduced with permission of the Estate of James Joyce, © Estate of James Joyce. We regret that acknowledgement to the James Joyce Estate for permission to include material by James Joyce was not included in the first printing of this book. |
From inside the book
Արդյունքներ 61–ի 1-ից 5-ը:
Էջ 2
... come to an understanding 2 All editions of Finnegans Wake have the same number of pages. I use the third edition published by Faber & Faber in 1975. This is a revised version of the 1950 second edition which incorporated Joyce's ...
... come to an understanding 2 All editions of Finnegans Wake have the same number of pages. I use the third edition published by Faber & Faber in 1975. This is a revised version of the 1950 second edition which incorporated Joyce's ...
Էջ 3
... comes through the exercise of ever-improving power tools. One consideration in your choice, therefore, is that the beginning may determine the end and structure the narrative. Once you have started there is no going back. Since you do ...
... comes through the exercise of ever-improving power tools. One consideration in your choice, therefore, is that the beginning may determine the end and structure the narrative. Once you have started there is no going back. Since you do ...
Էջ 9
... come out of it to return to the narrator's wakeful point of view—which therefore simply dissolves. In III.4 where the point of view shifts, we are presented with a mother comforting a son after a nightmare: 'You were dreamend dear ...
... come out of it to return to the narrator's wakeful point of view—which therefore simply dissolves. In III.4 where the point of view shifts, we are presented with a mother comforting a son after a nightmare: 'You were dreamend dear ...
Էջ 10
... come, 'with pleasure he will torpedo the ark'.17 If Shaun grows up to be HCE, Shem perhaps grows up to be Sackerson. 2. NARRATIONAL APPROACH Structural and narrational approaches are similar in that they both give an overview, the ...
... come, 'with pleasure he will torpedo the ark'.17 If Shaun grows up to be HCE, Shem perhaps grows up to be Sackerson. 2. NARRATIONAL APPROACH Structural and narrational approaches are similar in that they both give an overview, the ...
Էջ 12
... come and defend her son. , where we find out more about Anna Livia Plurabelle and her man HCE from two gossiping washerwomen. Scrubbing away This leads into ChapterI.8 20 Shaun is described by Joyce as being in 'his know-all impressive ...
... come and defend her son. , where we find out more about Anna Livia Plurabelle and her man HCE from two gossiping washerwomen. Scrubbing away This leads into ChapterI.8 20 Shaun is described by Joyce as being in 'his know-all impressive ...
Այլ խմբագրություններ - View all
Common terms and phrases
added additions allusion appear becomes beginning body Butt Butt’s called carries changes chapter character close comes composition context continuous critics described detail developed double draft dream Dublin earlier early echoes elements encountered event fall figure Finnegans Wake four girls give hand human idea identity inserted Irish Issy Issy’s James Joyce Joyce’s language letter living London looks marks material meaning mother never notes novel original passage perhaps person phrase play present Press produced question reading reference reflection relation represents revision rising river Russian seems sense Shaun Shem shooting song sounds speak speech stage story structure suggest Taff taken tell things thought transformation transition turned University vision voice Weaver whole words writing written wrote young