Gestos, Հատոր 9Spanish and Portuguese Department, University of California, 1994 |
From inside the book
Արդյունքներ 77–ի 1-ից 3-ը:
Էջ 81
... take place ) , a massive flowing back of discourse in the direction of the utterance and even ( in the historian's case ) in the direction of the referent : no one is there to take responsibility for the utterance ( Barthes ...
... take place ) , a massive flowing back of discourse in the direction of the utterance and even ( in the historian's case ) in the direction of the referent : no one is there to take responsibility for the utterance ( Barthes ...
Էջ 56
... take into consideration how the disempowered feel , to take into account all the dramatic friction produced by subordinate types without diminishing their presence , and to see through exaggerated critical emphasis on comedia's ...
... take into consideration how the disempowered feel , to take into account all the dramatic friction produced by subordinate types without diminishing their presence , and to see through exaggerated critical emphasis on comedia's ...
Էջ 168
... take the car at 5:45 a.m. and rush to the station to catch the 6:45 on time and travel fifty - two miles standing while munching on burnt toast , then take the subway to the final destination in which you work for eight hours and no ...
... take the car at 5:45 a.m. and rush to the station to catch the 6:45 on time and travel fifty - two miles standing while munching on burnt toast , then take the subway to the final destination in which you work for eight hours and no ...
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Acto actor also Argentina audience authority autor becomes Boris Buenos California call characters comedia Comediante considered context continua Coro creo crítica cuenta cultural culture debe decir deja dialogue diferencia director discourse dominant drama dramatic early escena español espectáculo espectadores first Gitana grupo hablar have hija historia historical imagen importante Irina José king life Madre makes manera María Martínez medio Mexican modern modo momento more mujer nacional New York noche notes nuevo obra order palabras parece pasado performance performed personaje Petia place play plays poder popular position postmodern power practice present primera proceso producción propio público puesta realidad relación representa resulta role sainete sala Salvia scene sentido señoritas Sevilla siglo sociedad Spanish stage State structure studies sujeto take teatral teatro término text texts theater theatrical they time trabajo última University Uruguay valores vivir women work world