The Comedy of Evil on Shakespeare's StageFairleigh Dickinson University Press, 1978 - 184 էջ Concerned with the conventionally comic representation of evil on the English Renaissance stage. |
From inside the book
Արդյունքներ 20–ի 1-ից 3-ը:
Էջ 18
Charlotte Spivack. augmentation is actually a sign of imminent diminution and ultimate disappearance . The threats of ... actually another way of denying the Manichaean dualism that attributed essence to both good and evil - was of major ...
Charlotte Spivack. augmentation is actually a sign of imminent diminution and ultimate disappearance . The threats of ... actually another way of denying the Manichaean dualism that attributed essence to both good and evil - was of major ...
Էջ 26
... actually inevitable . Taught that evil is not what it seems to be , that it is really nearest destruc- tion when it seems most potent , that it is actually moving toward annihilation when it seems to be soaring with success , that it is ...
... actually inevitable . Taught that evil is not what it seems to be , that it is really nearest destruc- tion when it seems most potent , that it is actually moving toward annihilation when it seems to be soaring with success , that it is ...
Էջ 28
... actually con- tradicts the theory of deficient evil . Because of the inter- vening change in concepts of reality between the Middle Ages and the modern world , the two statements that sound similar actually have meanings exactly opposed ...
... actually con- tradicts the theory of deficient evil . Because of the inter- vening change in concepts of reality between the Middle Ages and the modern world , the two statements that sound similar actually have meanings exactly opposed ...
Բովանդակություն
Preface | 9 |
Demonic Humor in the Arts | 32 |
Morality and Mockery | 54 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
action actually Ages appears assumes audience becomes body called century character Christian church civilization comedy of evil comic concerned continued conventional Dance death definition demonic demonstration devil disguise drama early Elizabethan English episodes equivocation example existence face fact falls Falstaff figure final flesh follow forces hand hell hero homiletic human humor involving ironic John king language late later laugh laughter less London Macbeth manifestation Mankind Master means medieval merely Middle mind mock mockery moral Murderer mystery nature nature of evil non-Being occurs offers once origin Oxford parody performance physical play possible privative reality remarks represented role scene seems sense sensuality serious serve Shakespeare's sins soul spirit stage stand symbolic tavern technique theme things thou throughout tion tradition tragedy tragic turn ultimate universal values Vice victim villain virtue young