The Comedy of Evil on Shakespeare's StageFairleigh Dickinson University Press, 1978 - 184 էջ Concerned with the conventionally comic representation of evil on the English Renaissance stage. |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 57
... fact , been advanced as to the origins of the morality drama . Some scholars have accepted Prudentius as its founding father ; some have fa- vored the sermon as parent to this sermonizing play ; some have considered it not as the ...
... fact , been advanced as to the origins of the morality drama . Some scholars have accepted Prudentius as its founding father ; some have fa- vored the sermon as parent to this sermonizing play ; some have considered it not as the ...
Էջ 117
... fact , continually makes such ironic assertions , in the characteristic mode of evil equivocation , as when he exclaims , “ And if I do not , heaven cut me off ! " Once he even confirms his devilish oath by kneeling down and holding up ...
... fact , continually makes such ironic assertions , in the characteristic mode of evil equivocation , as when he exclaims , “ And if I do not , heaven cut me off ! " Once he even confirms his devilish oath by kneeling down and holding up ...
Էջ 134
... fact incestuous , and the comic love is in fact sincere . As a result , while the reader finds himself responding with decided ambivalence toward Annabella and her brother , Giovanni , he also finds himself responding with at least ...
... fact incestuous , and the comic love is in fact sincere . As a result , while the reader finds himself responding with decided ambivalence toward Annabella and her brother , Giovanni , he also finds himself responding with at least ...
Բովանդակություն
Preface | 9 |
Demonic Humor in the Arts | 32 |
Morality and Mockery | 54 |
Հեղինակային իրավունք | |
5 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
action actually Ages appears assumes audience becomes body called century character Christian church civilization comedy of evil comic concerned continued conventional Dance death definition demonic demonstration devil disguise drama early Elizabethan English episodes equivocation example existence face fact falls Falstaff figure final flesh follow forces hand hell hero homiletic human humor involving ironic John king language late later laugh laughter less London Macbeth manifestation Mankind Master means medieval merely Middle mind mock mockery moral Murderer mystery nature nature of evil non-Being occurs offers once origin Oxford parody performance physical play possible privative reality remarks represented role scene seems sense sensuality serious serve Shakespeare's sins soul spirit stage stand symbolic tavern technique theme things thou throughout tion tradition tragedy tragic turn ultimate universal values Vice victim villain virtue young