Elements of Elocution in which the Principles of Reading and Speaking are Investigated ...: To which is Added a Complete System of the Passions, Showing how They Affect the Countenance, Tone of Voice, and Gesture of the Body. Exemplified by a Copious Selection of the Most Striking Passages of Shakespeare |
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Արդյունքներ 24–ի 1-ից 3-ը:
Էջ 329
Hatred , or aversion , draws back the body as to avoid the hated object ; the
hands at the same time thrown out spread , as if to keep it off . The face is turned
away from that side towards which the hands are thrown out ; the eyes looking
angrily ...
Hatred , or aversion , draws back the body as to avoid the hated object ; the
hands at the same time thrown out spread , as if to keep it off . The face is turned
away from that side towards which the hands are thrown out ; the eyes looking
angrily ...
Էջ 364
Forbidding draws the head backwards , and push . es the arm and hand forwards
, with the palm downwards , as if going to lay it upon the person , and hold him
down immoveable , that he may not do what is forbidden him : the countenance ...
Forbidding draws the head backwards , and push . es the arm and hand forwards
, with the palm downwards , as if going to lay it upon the person , and hold him
down immoveable , that he may not do what is forbidden him : the countenance ...
Էջ 370
Dismissing , with approbation , is done with a kind aspect and tone of voice : the
right hand open , the palm upwards , gently waved towards the person .
Dismissing , with displeasure , besides the look and tone of voice which suits
displeasure ...
Dismissing , with approbation , is done with a kind aspect and tone of voice : the
right hand open , the palm upwards , gently waved towards the person .
Dismissing , with displeasure , besides the look and tone of voice which suits
displeasure ...
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Բովանդակություն
A INTRODUCTION Elocution defined | 17 |
Introduction to the Theory of Rhetorical Punctuation | 25 |
Practical System of Rhetorical Punctuation | 39 |
10 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accent admit adopt answer appear arises arrangement beginning called comma commencing common concluding connected considered consists convey direct distinction distinguish emphasis emphatical emphatick example expressed eyes falling inflection force former give greater hand harmony idea importance inflection of voice instance interrogative kind latter less lower manner marked meaning mind modified nature necessarily necessary never object observed opposition particular passage passion pause perceive perfect perhaps period person pleasure preceding principal produces pronounced pronunciation proper prose question reader reading reason requires rest rising inflection Rule seems sense sentence separated short single slide sometimes sound speaking Spectator stress suppose syllable taste tence thee thing thou thought tion tone tone of voice variety verb verse voice whole words writing