Elements of Elocution in which the Principles of Reading and Speaking are Investigated ...: To which is Added a Complete System of the Passions, Showing how They Affect the Countenance, Tone of Voice, and Gesture of the Body. Exemplified by a Copious Selection of the Most Striking Passages of Shakespeare |
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Արդյունքներ 50–ի 1-ից 3-ը:
Էջ 250
The foregoing observations on the harmony of the cadence , have , undoubtedly ,
suggested to the reader that great object of ancient and modern composition , the
harmony of prose : this is a subject so inti . mately connected with harmonious ...
The foregoing observations on the harmony of the cadence , have , undoubtedly ,
suggested to the reader that great object of ancient and modern composition , the
harmony of prose : this is a subject so inti . mately connected with harmonious ...
Էջ 252
Accordingly , we find , that , though we cannot so easily trace that accentual
rhythmus which forms the harmony of the beginning and middle of a sentence ,
yet the latter part , or what is commonly called the cadence , consists ( when ...
Accordingly , we find , that , though we cannot so easily trace that accentual
rhythmus which forms the harmony of the beginning and middle of a sentence ,
yet the latter part , or what is commonly called the cadence , consists ( when ...
Էջ 253
Now , if we change a few of the words of this sentence to others of different length
and accent , we shall find the harmony of the sentence considerably diminished ,
though the sense may be inviolably preserved . . We hear at this distance but a ...
Now , if we change a few of the words of this sentence to others of different length
and accent , we shall find the harmony of the sentence considerably diminished ,
though the sense may be inviolably preserved . . We hear at this distance but a ...
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Բովանդակություն
A INTRODUCTION Elocution defined | 17 |
Introduction to the Theory of Rhetorical Punctuation | 25 |
Practical System of Rhetorical Punctuation | 39 |
10 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
accent admit adopt answer appear arises arrangement beginning called comma commencing common concluding connected considered consists convey direct distinction distinguish emphasis emphatical emphatick example expressed eyes falling inflection force former give greater hand harmony idea importance inflection of voice instance interrogative kind latter less lower manner marked meaning mind modified nature necessarily necessary never object observed opposition particular passage passion pause perceive perfect perhaps period person pleasure preceding principal produces pronounced pronunciation proper prose question reader reading reason requires rest rising inflection Rule seems sense sentence separated short single slide sometimes sound speaking Spectator stress suppose syllable taste tence thee thing thou thought tion tone tone of voice variety verb verse voice whole words writing