Colbrand the giant, that same mighty man? LADY F. Sir Robert's fon! Ay, thou unreverend boy, Sir Robert's fon: Why fcorn'ft thou at fir Robert? He is fir Robert's fon; and fo art thou. BAST. James Gurney, wilt thou give us leave a while? GUR. Good leave, good Philip. BAST. Philip?-fparrow ! —James, Colbrand- Colbrand was a Danish giant, whom Guy of Warwick difcomfited in the prefence of King Athelftan. The combat is very pompously described by Drayton in his Polyolbion. JOHNSON. Good leave, &c.] Good leave means a ready affent. So, in K. Henry VI. Part III. A& III. fc. ii : "K. Edw. Lords, give us leave: I'll try this widow's wit. "Glo. Ay, good leave have you, for you will have leave." STEEVENS. 2 Philip?-Sparrow!] Dr. Grey obferves, that Skelton has a poem to the memory of Philip Sparrow; and Mr. Pope in a short note remarks that a fparrow is called Philip. JOHNSON. Gafcoigne has likewise a poem entitled, The Praife of Phil Sparrow; and in Jack Drum's Entertainment, 1601, is the following paffage : "The birds fit chirping, chirping, &c. 66 Philip is treading, treading," &c. Again, in The Northern Lafs, 1633: "A bird whose paltime made me glad, Again, in Magnificence, an ancient Interlude, by Skelton, published by Raftell: "With me in kepynge fuch a Phylyp Sparowe." STEEVENS. The Bastard means: Philip! Do you take me for a fparrow? The fparrow is called Philip from its note. HAWKINS. Lyly's Mother Bombie. 3 There's toys abroad; anon I'll tell thee more. [Exit Gurney. Madam, I was not old fir Robert's fon; To whom am I beholden for these limbs? LADY F. Haft thou confpired with thy brother too, That for thine own gain should'ft defend mine honour? What means this fcorn, thou moft untoward knave? From the found of the fparrow's chirping, Catullus in his Elegy on Lefbia's Sparrow, has formed a verb:" "Sed circumfiliens modo huc, modo illuc, "Ad folam dominam ufque pipilabat." HOLT WHITE. 3 There's toys abroad; &c.] i. e. rumours, idle reports. So, in Ben Jonson's Sejanus: 66 Toys, mere toys, "What wifdom's in the ftreets." Again, in a poftfcript of a letter from the Countefs of Effex to Dr. Forman, in relation to the trial of Anne Turner for the murder of Sir Tho. Overbury: -they may tell my father and mother, and fill their ears full of toys." State Trials, Vol. I. p. 322. STEEVENS. might have eat his part in me Upon Good-friday, and ne'er broke his faft:] This thought occurs in Heywood's Dialogues upon Proverbs, 1562: -he may his parte on good Fridaie eate, "And fast never the wurs, for ought he shall geate." STEEVENS. 5 (to confefs!)] Mr. M. Mafon regards the adverb to, as an error of the prefs: but I rather think, to confefs, means—to come to confeffion. "But, to come to a fair confeffion now, (fays the Bastard,) could he have been the inftrument of my production ?" STEEVENS. BAST. Knight, knight, good mother, Bafilifco-- What! I am dubb'd; I have it on my fhoulder. Then, good my mother, let me know my father; BAST. AS faithfully as I deny the devil. Knight, knight, good mother,-Bafilifco-like:] Thus must this paffage be pointed; and to come at the humour of it, I must clear up an old circumftance of stage-history. Faulconbridge's words here carry a concealed piece of fatire on a ftupid drama of that age, printed in 1599, and called Soliman and Perfeda. In this piece there is a character of a bragging cowardly knight, called Bafilifco. His pretenfion to valour is fo blown, and feen through, that Piston, a buffoon-fervant in the play, jumps upon his back, and will not difengage him, till he makes Bafilifco fwear upon his dudgeon dagger to the contents, and in the terms he dictates to him; as, for instance: 66 Baf. O, I fwear, I swear. Pift. By the contents of this blade, Baf. By the contents of this blade, Pift. I, the aforefaid Bafilifco, "Baf. I, the aforefaid Bafilifco,-knight, good fellow, knight. "Pift. Knave, good fellow, knave, knave.' So that it is clear, our poet is fneering at this play; and makes Philip, when his mother calls him knave, throw off that reproach by humorously laying claim to his new dignity of knighthood; as Bafilifco arrogantly infifts on his title of knight in the paffage above quoted. The old play is an execrable bad one; and, I fuppofe, was fufficiently exploded in the reprefentation: which might make this circumftance fo well known, as to become the butt for a stagefarcafm. THEOBALD. The character of Bafilifco is mentioned in Nafh's Have with you to Saffron Walden, &c. printed in the year 1596. STEEVENS. LADY F. King Richard Coeur-de-lion was thy father; By long and vehement fuit I was feduc'd Which was so strongly urg'd, past my defence. 8 Some fins do bear their privilege on earth, ▾ Thou art-] Old copy-That art. Corrected by Mr. Rowe. MALONE. 8 Some fins-] There are fins, that whatever be determined of them above, are not much cenfured on earth. JOHNSON. 9 Needs muft you lay your heart at his difpofe,— Against whofe fury und unmatched force The awless lion could not wage the fight, &c.] Shakspeare here alludes to the old metrical romance of Richard Cœur-de-lion, wherein this once celebrated monarch is related to have acquired his diftinguishing appellation, by having plucked out a lion's heart to whofe fury he was expofed by the Duke of Auftria, for having flain his fon with a blow of his fift. From this ancient romance the ftory has crept into fome of our old chronicles: but the original paffage may be feen at large in the introduction to the third volume of Reliques of ancient English Poetry. PERCY. Come, lady, I will fhow thee to my kin; France. Before the walls of Angiers. Enter, on one fide, the Archduke of Auftria, and Forces; on the other, PHILIP, King of France, and Forces, LEWIS, CONSTANCE, ARTHUR, and Attendants. LEW. Before Angiers well met, brave Auftria.— Arthur, that great forerunner of thy blood, Richard, that robb'd the lion of his heart," And fought the holy wars in Palestine, By this brave duke came early to his grave: 2 Richard, that robb'd &c.] So, Raftal, in his Chronicle: "It is fayd that a lyon was put to kynge Richard, beynge in prifon, to have devoured him, and when the lyon was gapynge he put his arme in his mouth, and pulled the yon by the harte fo hard that he flewe the lyon, and therefore fome fay he is called Rycharde Cure de Lyon; but fome fay he is called Cure de Lyon, because of his boldness and hardy ftomake." GREY. I have an old black-lettered hiftory of lord Fauconbridge, whence Shakspeare might pick up this circumftance. FARMER. In Heywood's Downfall of Robert Earl of Huntington, 1601, there is a long defcription of this fabulous atchievement. The fame ftory is told by Knighton, inter Decem Scriptores, and by Fabian, who calls it a fable. It probably took its rife from Hugh de Neville, one of Richard's followers, having killed a lion, when they were in the Holy Land: a circumftance recorded by Matthew Paris. MALONE. 3 By this brave duke came early to his grave:] The old play led Shakspeare into this error of afcribing to the Duke of Auftria the |