The Epic VoiceMouton, 1968 - 140 էջ |
From inside the book
Արդյունքներ 28–ի 1-ից 3-ը:
Էջ 87
... Raphael's heroic similes are extravagant , when in fact Raphael speaks a grand total of three epic similes , all of which scrupu- lously appropriate to the voice and audience of the occasion.13 These three compare , of course , to the ...
... Raphael's heroic similes are extravagant , when in fact Raphael speaks a grand total of three epic similes , all of which scrupu- lously appropriate to the voice and audience of the occasion.13 These three compare , of course , to the ...
Էջ 98
... Raphael's teaching unequivocally is later made clear in his warning to the recalcitrant Eve who had refused to ... Raphael having stressed the importance of knowledge for the sake of moral perfection 30 and Adam inquiring merely after an ...
... Raphael's teaching unequivocally is later made clear in his warning to the recalcitrant Eve who had refused to ... Raphael having stressed the importance of knowledge for the sake of moral perfection 30 and Adam inquiring merely after an ...
Էջ 108
... Raphael is outgoing and profuse in his estimate of others , he is modest and even anonymous in description of himself . Gilbert uses the fact of Raphael speaking of himself in the third person as proof of Milton's having revised the ...
... Raphael is outgoing and profuse in his estimate of others , he is modest and even anonymous in description of himself . Gilbert uses the fact of Raphael speaking of himself in the third person as proof of Milton's having revised the ...
Common terms and phrases
Abdiel Achilles Adam Adam's adventures Aegisthus Aeneas's Aeneid Agamemnon allegory Amphialus Andromana angelic Antiphilus Arcadia Ariostan artistic audience Basilius Basilius's Beowulf Book Bowra C. S. Lewis Canto chapter characterization characters creation critics delegated voice device distinction divine dramatic E. M. W. Tillyard English epic epic poem epic simile epic voice episode example exposition Faerie Queene fiction function Guyon hero heroic poem Homer Iliad incident intention ironic Kalander's kind knowledge later limited literary epic main action main plot medias res structure metaphor Milton modulation Musidorus and Pyrocles Musidorus's narrative Nestor's obvious Odyssey Old Arcadia omniscient narration omniscient voice Pamela Paradise Lost parallel Phaeacians Philoclea poet poet's Poetry princes problem Raphael Raphael's narration recitation recognize Red Cross relationship restricted narration restricted voice reveals revision rhetorical romance romantic epic Satan's Sidney Sidney's Arcadia significant speaker Spenser story Swedenberg tangential narrations tion tradition Troy Ulysses Virgil Zelmane