An Abridgment of Lectures on RhetoricT. Elwood Zell, 1854 - 230 էջ |
From inside the book
Արդյունքներ 35–ի 1-ից 5-ը:
Էջ 6
... Means of Improving in Eloquence 143 147 155 Comparative Merit of the Ancients and Moderns 161 Philosophical Writing and Dialogue Historical Writing . Epistolary Writing Fictitious History Nature of Poetry . - Its Origin and Progress ...
... Means of Improving in Eloquence 143 147 155 Comparative Merit of the Ancients and Moderns 161 Philosophical Writing and Dialogue Historical Writing . Epistolary Writing Fictitious History Nature of Poetry . - Its Origin and Progress ...
Էջ 30
... mean , or even to the gay or trifling , changes the tone of the emotion . What is commonly called the sublime style , is for the most part a very bad one , and has no relation what- ever to the true sublime . Writers are apt to imagine ...
... mean , or even to the gay or trifling , changes the tone of the emotion . What is commonly called the sublime style , is for the most part a very bad one , and has no relation what- ever to the true sublime . Writers are apt to imagine ...
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... mean conception of it , or by a weak , low , or puerile description of it . This betrays entire ab- sence , or , at least , extreme poverty of genius . The bombast lies in forcing a common or trivial object out of its rank , and in ...
... mean conception of it , or by a weak , low , or puerile description of it . This betrays entire ab- sence , or , at least , extreme poverty of genius . The bombast lies in forcing a common or trivial object out of its rank , and in ...
Էջ 37
... means of producing the same end ; and consequently make different im- pressions on the mind . What next to sublimity affords the highest pleasure to the imagination ? How is its emotion distinguished from that of the sublime 1 Which ...
... means of producing the same end ; and consequently make different im- pressions on the mind . What next to sublimity affords the highest pleasure to the imagination ? How is its emotion distinguished from that of the sublime 1 Which ...
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... means upon certain signs ; yet , by what authority could these be so propagated among other tribes or families , as to grow up into a language ? One would imagine that men must have been previously gathered together in considerable ...
... means upon certain signs ; yet , by what authority could these be so propagated among other tribes or families , as to grow up into a language ? One would imagine that men must have been previously gathered together in considerable ...
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abounds action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise critics degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English English language epic poem epic poetry excel exhibit expression fancy fault figure founded French frequently genius Give an example grace Greek Greek tragedy guage hearers Hence Homer human ideas Iliad imagination imitation instance introduced invention kind language Livy Lusiad manner metaphor Milton mind modern moral motion narration nature never nouns objects observed orator ornament painting Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perspicuity Pharsalia pleasing pleasures poet poetical proper propriety public speaking racter render requisite rule scene sense sentence sentiments simplicity sound speaker species speech spirit strength strong style sublime syllable Tacitus taste tence thing thought Thucydides tion tragedy unity variety verb verse Virgil voice words writing
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Էջ 111 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision...
Էջ 88 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Էջ 74 - I shall detain you no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side, that the harp of Orpheus was not more charming.
Էջ 25 - That saith of Cyrus, He is my shepherd, And shall perform all my pleasure ; Even saying to Jerusalem, Thou shalt be built ; And to the temple, Thy foundation shall be laid.
Էջ 151 - Before all temples the upright heart and pure, Instruct me, for thou know'st; thou from the first Wast present, and, with mighty wings outspread, Dove-like, sat'st brooding on the vast abyss, And mad'st it pregnant: what in me is dark Illumine; what is low, raise and support...
Էջ 90 - Earth felt the wound, and Nature, from her seat Sighing through all her works, gave signs of woe, That all was lost.
Էջ 25 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Էջ 110 - Our sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments. The sense of feeling can indeed give us a notion of extension, shape, and all other ideas that enter at the eye, except colours ; but at the same time it is very much straitened and confined in its operations to the number, bulk,...
Էջ 186 - O SING unto the Lord a new song: sing unto the Lord, all the earth.
Էջ 115 - A man should endeavour, therefore, to make the sphere of his innocent pleasures as wide as possible, that he may retire into them with safety, and find in them such a satisfaction as a wise man would not blush to take.