amounting well neere to sixteene hundred pounds." This improvement, it will be remembered, was effected in the year wherein Ben Jonson's "Bartholomew Fair" was written.

In "The Order observed by the lord maior, the aldermen, and sheriffes for their meetings, and wearing of their apparell throughout the whole yeere," it is ordained, That

"On Bartholomew Eve for the Fayre in Smithfield :

"The aldermen meete the lord maior and the sheriffes at the Guildhall chappel, at two of the clocke after dinner, having on their violet gownes lined, and their horses, but without their cloakes, and there they heare evening prayer. Which being done, they mount on their horses, and riding to Newgate, passe forth of the gate. Then entring into the Cloth-fayre, there they make a proclamation, which proclamation being ended, they ride thorow the Cloth-fayre, and so returne backe againe thorow the churchyard of great Saint Bartholomewes to Aldersgate and then ride home againe to the lord maior's house."

In the same collection of ordinances: On Bartholomew Day for the Wrastling.

"So many aldermen as doe dine with the lord maior, and the sheriffes, are apparelled in their scarlet gownes lined; and after dinner, their horses are brought to them where they dined. And those aldermen which dine with the sheriffes, ride with them to the lord maior's house for accompanying him to the wrastlings. When as the wrastling is done, they mount their horses, and ride backe againe thorow the Fayre, and so in at Aldersgate, and then home againe to the lord maior's house."

"The Shooting Day.

"The next day, (if it be not Sunday,) is appointed for the shooting, and the service performed as upon Bartholomewday; but if it bee Sunday, the Sabbathday, it is referred to the Munday then following."

Ben Jonson's mention, in his "Bartholomew Fair," of "the western man who is come to wrestle before the iord mayor anon," is clearly of one who came up to the annual wrestling on Bartholomew's

day. Concerning this "annual wrastling," it is further noticed by Stow in another place, that about the feast of St. Bartholomew, wrestling was exhibited before the lord mayor and aldermen, at Skinnerswell near Clerkenwell, where they had a large tent for their accommodation. He speaks of it as having been a practice "of old time;" and affirms that "divers days were spent in the pastime, and that the officers of the citie, namely the sheriffes, serjeants, and yeomen, the porters of the king's beame, or weigh-house, (now no such men," says Stow,) "and other of the citie were challengers of all men in the suburbs, to wrestle for games appointed: and on other days, before the said mayor, aldermen, and sheriffes, in Fensbury-field, to shoot the standard, broad arrow, and flight, for games. But now of late yeeres," Stow adds, "the wrestling is only practiced on Bartholomew-day in the afternoone, and the shooting some three or foure days after, in one afternoone and no more." Finally, the old chronicler laments, that "by the means of closing in of common grounds, our archers, for want of roome to shoot abroad, creepe into bowling-alleys, and ordinarie dicing houses, neerer home, where they have roome enough to hazzard their money at unlawful games, and there I leave them to take their pleasures." Another narrator tells of the wrestlers before the lord mayor, aldermen, &c. on Bartholomew's-day that they wrestled “two at a time;" he says "the conquerors are rewarded by them by money thrown from the tent; after this a parcel of wild rabbits are turned loose in the crowd, and hunted by boys with great noise, at which the mayor and aldermen do much besport themselves."*

It was on St. Bartholomew's-eve that the London scholars held logical disputations about the principles of grammar. "I myself," says Stow, "have yeerely seen the scholars of divers grammarschools, repaire unto the churchyard of St. Bartholomew, the priory in Smithfield, where, upon a banke boorded about under a tree, some one scholler hath stepped up, and there hath opposed and answered, till he were by some better scholler overcome and put downe; and then the overcommer taking the place, did like as the first; and in the end, the best opposers and answerers had re

* Hentzner,

An advertisement in "The Postman," of August 19, 1703, by " Barnes and Finley," invites the reader to "see my lady Mary perform such curious steps on the dancing-rope," &c. &c. Lady Mary is noticed in "Heraclitus Ridens," No. 7. "Look upon the old gentleman; his eyes are fixed upon my lady Mary: Cupid has shot him as dead as a robin. Poor Heraclitus! he has cried away all his moisture, and is such a dotard to entertain himself with a prospect of what is meat for his betters; wake him out of his lethargy, and tell him the young noblemen and senators will take it amiss if a man of his years makes pretensions to what is more than a match for their youth. Those roguish eyes have brought her more admirers than ever Jenny Bolton had."

Lady Mary was the daughter of noble parents, inhabitants of Florence, who immured her in a nunnery; but she accidentally saw a merry-andrew, with whom she formed a clandestine intercourse; an elopement followed, and finally, he taught her his infamous tricks, which she exhibited for his profit, till vice had made her his own, as Heraclitus proves. The catastrophe of "the lady Mary” was dreadful: her husband, impatient of delays or impediments to profit, either permitted or commanded her to exhibit on the rope, when her situation required compassionate consideration; she fell never to rise again, nor to open her eyes on her untimely infant, which perished in a few minutes

after her.

In 1715, Dawks's "News Letter," says, "on Wednesday, Bartholomew Fair began, to which we hear, the greatest number of black cattle was brought, that was ever known. There is one great playhouse erected in the middle of Smithfield for the king's players.-The booth is the largest that was ever built." Actors of celebrity performed in the Fair at that time, and in many succeeding years.

A recent writer, evidently well acquainted with the manners of the period, introduces us to a character mentioned in a former sheet. "In the midst of all, the public attention was attracted to a tall, well-made, and handsome-looking man, who was dressed in a very fashionable suit of white, trimmed with gold lace, a laced ruffled shirt, rolled white silk stockings, a white apron, and a large cocked hat, formed of gingerbread, fringed and garnished with Dutch gold. He carried on his arm a basket filled with gingerbread No. 40,

cakes, one of which he held up in the air; while the other hand was stuck with an easy and fashionable manner into his bosom. For this singular vendor of confectionary every one made way, and numbers followed in his train, shouting after him, there goes Tiddy Doll!' the name by which that remarkable character was known. He himself did not pass silently through the crowd, but as he went along, he poured forth a multiplicity of praises of his ware, occasionally enlivened by that song which first procured him his name." This was at the Fair of the year 1740 concerning which the same illustrator thus continues: "The multitude behind was impelled violently forwards, a broad blaze of red light, issuing from a score of flambeaux, streamed into the air; several voices were loudly shouting, room there for prince George! make way for the prince!' and there was that long sweep heard to pass over the ground, which indicates the approach of a grand and ceremonious train. Presently the pressure became much greater, the voices louder, the light stronger, and as the train came onward, it might be seen that it consisted, firstly, of a party of yeomen of the guards clearing the way; then several more of them bearing flambeaux, and flanking the procession; while in the midst of all appeared a tall, fair, and handsome young man, having something of a plump foreign visage, seemingly about four and thirty years of age, dressed in a ruby-coloured frock coat, very richly guarded with gold lace, and having his long flowing hair curiously curled over his forehead and at the sides, and finished with a very large bag and courtly queue behind. The air of dignity with which he walked, the blue ribbon, and star and garter with which he was decorated, the small three-cornered silk court hat which he wore, whilst all around him were uncovered; the numerous suite, as well of gentlemen as of guards, which marshalled him along, the obsequious attention of a short stout person, who by his flourishing manner seemed to be a player,-all these particulars indicated that the amiable Frederick, prince of Wales was visiting Bartholomew Fair by torchlight, and that manager Rich was introducing his royal guest to all the entertainments of the place. However strange this circumstance may appear to the present generation, yet it is nevertheless strictly true; for about 1740, when the drolls in Smithfield were extended to

three weeks and a month, it was not considered as derogatory to persons of the first rank and fashion, to partake in the broad humour and theatrical amusements of the place. It should also be remembered, that many an eminent performer of the last century, unfolded his abilities in a booth; and that it was once considered, as an important and excellent preparative to their treading the boards of a theatre-royal." One of the players is thus represented as informing a spectator concerning the occupation of an itinerant actor:-"I will, as we say, take you behind the scenes. First then, a valuable actor must sleep in the pit, and wake early to sweep the theatre, and throw fresh sawdust into the boxes; he must shake out the dresses, and wind up and dust the motion-jacks; he must teach the dull ones how to act, rout up the idlers from the straw, and redeem those that happen to get into the watch-house. Then, sir, when the Fair begins, he should sometimes walk about the stage grandly, and show his dress: sometimes he should dance with his fellows; sometimes he should sing; sometimes he should blow the trumpet; sometimes he should laugh and joke with the crowd, and give them a kind of a touch-and-go speech, which keep them merry, and makes them come in. Then, sir, he should sometimes cover his state robe with a great coat, and go into the crowd, and shout opposite his own booth, like a stranger who is struck with its magnificence: by the way, sir, that's a good trick, I never knew it fail to make an audience; and then he has only to steal away, mount his stage, and strut, and dance, and sing, and trumpet, and roar over again."

An advertisement in the "London Gazette" of April the 13th, 1682, shows under what authority showmen and similar per

sons" labour in their vocation:"

"Whereas Mr. John Clarke, of London, bookseller, did rent of Charles Killigrew, Esq. the licensing of all ballad-singers for five years; which time is expired at Lady-day next. These are, therefore, to give notice to all ballad-singers, that they take out licences at the office of the revels, at Whitehall, for singing and selling of ballads, and small books, according to an ancient custom. And all persons con

New European Magazine, 1822-3.

cerned are hereby desired to take notice of, and to suppress all mountebanks, ropedancers, prize-players, ballad-singers, and such as make show of motions and strange sights, that have not a licence in red and black letters, under the hand and seal of the said Charles Killigrew, Esq. master of the revels to his majesty;" and in particular it requires them to suppress two, one of them being "Thomas Teats mountebank," who have no licence" that they may be proceeded against according to law."

The late John Charles Crowle, Esq. who bequeathed his illustrated copy of "Pennant's London" to the British Museum, which he valued at 50001. was master of the revels. In that quality he claimed a seat in any part of the theatres, and being opposed by the manager of the little theatre in the Haymarket, maintained his right. He was also trumpetmajor of England, to whom every one who blows a trumpet publicly (excepting those of the theatres-royal) must pay a certain sum, and therefore the office has jurisdiction of all the merry-andrews and jack-puddings of every Fair throughout England. The office of master of the revels was created under Henry VIII. in 1546. The identical seal of the office used under five sovereigns, was engraved on wood, and is in the possession of Francis Douce, Esq. F.S.A., who permitted impressions of it to be inserted first by Mr. Chalmers in his "Apology for the believers in the Shakspeare MSS.," and next by Mr.J.T. Smith, of the British Museum, in his "Ancient Topography of London:" the legend on it is "Sigill: Offic: Jocor: Mascar: et Revell: Dnis. Reg." Mr. Chalmers's work also contains the "arms of the revels."*

Mr. J. T. Smith was informed by Mr. ry-lane, that Mr. Garrick shortly after his Thomas Batrich, an ancient barber of Druand Shuter's booth; Garrick being rudely marriage conducted Mrs. Garrick to Yates Palmer, who had been engaged to receive pushed called upon his bill-sticker, old the money at the entrance of the booth, strong man, professed himself sorry he for protection. Palmer, though a very could not serve him in Smithfield; alleg ing that few people there knew Garrick off the stage. One of the merry-andrews

* Smith's Anc. Topog. Lond.