175. 1. 10. Cimmerian. The Cimmerians lived at the end of the world where the sun never shone.—29. Hebe, cup-bearer of the Gods.–125. Hymen, god of marriage, commonly represented in English masques as here described (Browne).—136. Lydian airs, the ecclesiastical Mode which in the seventeenth century was equivalent to our scale of F major.—150. Eurydice. The story half told in 171, 1. 104. 176. From Sleep and Poetry. A good example of Keats's objective style. “These images are of life considered first as a mere atomic movement in a general flux, then as a dream on the brink of destruction, then as a budding hope, then as an intellectual distraction, then as an ecstatic glimpse of beauty, and lastly as an instinctive pleasure.'--Montmorenci, the river in Canada. 178. From As you like it, 11. 7. his sound, i.e. its sound, referring to voice. Its, the genitive of it, is not found before Elizabethan writers; ‘his’ was the old genitive, and is much more frequent than its’in Shakespeare. 179. From the Essay on Man, end of Ep. 11.-1. 2. will change, we should say would change. --1. 16. tickled with a straw: as this is not peculiar to babes, the expression must be metaphorical, and its apparent force immediately disappears. -Four lines below, in beads and prayer-books, the cynicism is overdone. 182. From Tintern Abbey. 189. François Dominique Toussaint, surnamed L'Ouverture, was governor of St. Domingo, and chief of the African slaves en franchised by the decree of the French Convention (1794). He resisted Napoleon's edict re-establishing slavery in St. Domingo, was arrested and sent to Paris in June 1802, and there died after ten months' imprisonment in April 1803 (Hutchinson). 194. 1. 11. Siloa's brook, Pool of Siloam.–12. fast by, hard by, near by, not 'swift.”—15. Aonian Mount, Helicon, the abode of Apollo and the Muses.-92. highth, always thus, pronounced as spelt, in Milton.—109. “This question is parenthetical ; it means, the true glory is to be unconquered in spirit, though the field be lost '(Beeching). 199. From The Faery Queen, opening of 8th canto of Bk. II. 200. 1. 3. insphered. See note to 171, 1. 89. 202. P.L. Bk. II. 557. 1. 55. Medusa, one of the three 209. The last four stanzas of nine in one of the lyrical 210. The second half of the second stanza of four. 216. Text of this poem is based on what would seem the "Who envieth none that chance doth raise, Or vice; who never understood Nor rules of state, but rules of good.' 6 INDEX OF AUTHORS و No. 152. ARNOLD), MATTHEW, 1822–1888. No. 185. 127, 167. 1759 - 1796. Nos. 17, 60, 61, 64, 65, 66, 67, 125, 137, 168, 169. 1819–1861. No. 99. 1731–1800. Nos. 25, 46. THOMAS. 1716–1771. No. 151. No. 12. 262 GRAY, No. 141. HODGSON, RALPH 1871— No. 208. 157, 166. 1795–1821. Nos. II, 83, 86, 89, 93, 108, 116, Nos. 74, 77, 79. 1844-1912. No. 120. ANNE (afterwards LADY ANNE BARNARD). 1608--1674. Nos. 3, 40, 130, 132, 171, 175, 193, 1779–1852. Nos. 21, 150. 1567—1601. No. 7. Nos. 78, 165, 211. 15, 16, 29, 47, 96, 103, 107, 118, 133, 134, 136, 170, 174, 178, 196, 197. 87, 95, 109, III, 126, 129, 144, 145, 146, 154, 155, 158, 180, 181, 203, 209. No. 49. STEPHENS, JAMES. 1882- 160, 162, 204, 207. 124, 143, 182, 187, 188, 189, 190, 218. |