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At Berlin-The Adoration of the

Magi, A Virgin and Donor, 125
At Madrid–The Annunciation

125
At Venice-Miniatures of St.

Mark . . . . 125, 126
Meire (J. Van der), his Life 355
Melozzo da Forli . . . . 153

Escurial:

Van der Weyden (R.) . 186
Dürer (A.) . . . . 186
Palace of the Prince :
Imitators of Memling, Juan
Flamenco, Jan de Flandes,

284, 285
Maele (Louis de) ... 10, 14
Maertens (J.), a painter .. 32
Maestricht, school of, 27, 37, 38
Malines, picture of Margaret of

Austria, 101 ; of Memling there,

239; of R. Van der Weyden, 193
Malouel (J.), painter of the Dukes,

14, 16, 24, 25 ; his death. 228
Mannin (J.), of Lille, a painter of
banners. .

9
Mantegna, 22, 23; Flemish influ-

ence on, 153; perspective of, 62
Marchantius, his praise of J. Van

Eyck ....... 47
Marche (Olivier de la), 127 ; his de-

scription of the “entremetz" at

Bruges .. 231
Margaret of Austria, pictures of
J. Van Eyck in the possession of,

65, 345
Marguilliers (Salle des), at Bruges,

a picture there . : . 18, 19
Marmion, an illuminator . 331
Martin V., pontiff . 162, 174
Martin (N.), a painter, works of, at

Lede . . . . . . . 33
Mayence, Memling's visit to 247
Meckenen, his birth and death,

317; his pictures at Munich,
“ The Marriage of the Virgin”
“ The Crucified Saviour”-at

Cologne, “The Passion"187, 319
MEIRE (G. VAN DER). . 18, 31

His life, 122, 123; he resides at

Ghent-praise of him 123, 355
His pictures :

At Ghent- The Crucifixion 123
At Minden-A Carmelite 124 -
At London-A Carmelite 124

At Bruges—The Crucifixion 124
Pictures assigned to him :
At Antwerp-The Carrying of

the Cross, Mater Dolorosa,
Christ Crucified, Christ in the
Tomb ...... 125

MEMLING (Hans) :-

His life-his real name, 237,238;
Germany claims him-he stu-
dies under Van der Weyden, 239;
his portrait-did he paint the
likeness of Isabella of Portugal ?
-did he go to Italy? 240; is
employed at court, 241; legend
of the hospital of St. John, 242;
his pictures there-paints the
Morel portraits, 243; paints for
the corporation of the Librariers,
243, 244; "The Sposalizio,” 245;
“ The Adoration of the Magi,"
246; goes to Cologne-shrine of
St. Ursula, 247; paints for the
hospital of St.Julien, “St. Chris-
topher," "The Adoration of the
Magi,” dyptic of Nieuwenhoven,
248 ; dyptic of the Dunes
Convent, 250 ; his manner, 251
---253; praise of him by Le-
maire . . . . . . . 331
His pictures :
At Bruges Hospital-Sibyl Zam-
beth, 254 ; Sposalizio, 255

-257; Adoration of the
Magi, 258; Shrine of St. Ur-
sula, 259 — 261 ; St. Chris-
topher, 261, 262; Madonna
and Child, 262; Descent from

the Cross . . . . . 270
At Louvain-Portraits of Morel

and his Wife . . . . 254
At Chiswick – Madonna and
Child, with the Clifford Family,

257, 258
At Florence — Madonna and

Child, 262; St. Benedict, 263
At Munich-The Seven Joys of

the Virgin .... 263
At Turin—The Seven Griefs of

the Virgin, ,.263

At Paris–Marriage of St. Ca-

therine, 264; St. John the
Baptist and Mary Magdalen
- Life of St. Bertin. . 267
Rothschild—The Repose in

Egypt..... 264
At the Hague-St. Stephen,

St. Christopher, 264 ; Life of

St. Bertin ... 267, 268
At London-Saints. . 265
Kensington-a Portrait 266,

267
Hampton Court-Portrait 266
At Francfort-Portrait : 266
At Madrid -- Adoration of the

Magi, Presentation in the
Temple, and Adoration of the

Angels . . . . . . 269
At Vienna — Bearing of the

Cross, and the Resurrection,
270; Coronation of the Vir-
gin . . . . . . . 273

273
Unknown (bought by Brond-

gost)— Portrait of a Lady 264
Pictures assigned to Memling :
At Strasburg—Marriage of St.

Catherine . . . . . 271
At Lubeck — The Carrying of

the Cross . . . . . 272
Pictures falsely attributed to Mem-

At St. Petersburg, St. John the

Baptist showing the Saviour

to a repentant Sinner . 296
At Granada - The Crucifixion,

299
At Brussels-Christ taken from

the Cross . . . . . 299
Madrid-Adoration of the Magi,

299
MESSINA, pictures by Antonello da

M. at, 197, 215; pictures lost,
225; pictures by Antonio d'An-
tonio at, 195; by Jacobello
d'Antonio, 195, 196; by Sal-

vadore d'Antonio . . . 196
Meyer (R. Van), patron of J. Van

Eyck . . . . . . . 66
Middelburg, picture painted for

the Church of, by Van der Wey.

den . . . . . . . . 166
Milan, Antonello da Messina at,

210
Trivulzi :

Antonello da Messina . 218
Pictures by J. Van Eyck at,

lost .....: 102
Minden, a Carmelite by Van der

Meire at, 124; pictures there 318
Miraflores, pictures by Juan Fla-

menco at . . . . . . 176
Monsignore (F. di) ..209
Montefeltro (Federigo di), partly

commissioned “The Last Sup-
per ” of Justus of Ghent, at

Urbino . . . . . 148, 149
Morel (W.), Memling paints his
portrait, and that of his wife,

243
Mostert (Franz), he preserves the

names of Quwater and Gerard

of St. John ...., 232
MUNICH:-
Pinakothek:

Van Eyck (J.) 104, 105, 279
Van der Goes' (H.) . . 136
Van der Weyden (R.) 184,

185, 191
Gerard of St. John 236
Memling ... 263, 279
Stuerbout D.) 295, 296, 299
Meckenen, i , 318
Zeitbloom

ling:

At Bruges—The Baptism, 274 ;
Martyrdom of St. Hippolytus,

296
At Antwerp–Virgin and Child

(1499), 281: Portraits. 284.
At London, Rogers–Virgin and

Child, 282; Portrait of 1462,

253

Herz-St. John and Patron

357
At Louvain-The Last Supper,
295; the Martyrdom of St.

Erasmus . . . . . 297
At Danzig . . . . . 100
At Berlin - Elijah and the

Angel, Jewish Passover, 295
At Munich – Melchisedec and

Abraham, The Israelites pick-
ing up Manna, 295; Adora-
tion of the Magi, 298 ; Judas
kissing the Saviour, The Cap-
tive, 296; Head of Christ, 299

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At Berlin-The Crucifixion 234
At Vienna - The Crucifixion 234
At Danzig — The Last Judge

ment . . . . . 234
At Cologne . . . . . 187
At Danzig . . . . . 99

N.
NAPLES :

Antonello's visit there . 197
Its school . . . . . 200
Lost pictures of Van der Wey-

den .... 165, 193
Borbonico :

Van Eyck (Hub.) ... 80

Stuerbout ..... 300
Santa Antonio del Borgo :

Colantonio del Fiore . . 80
Castel Nuovo :

Van Eyck (J.) .... 97
Nieuwenhoven (M. Van), Memling

paints a picture for him. 248
Niewenhuys (Mr.), bought the

wings of the Agnus Dei of St.

Bavon . . . . . . . 79
Nordlingen, pictures at 318
Noyon, pictures of Charlemagne
at . . .

. . . . . 131
Nunez (Pedro), an imitator of the

Flemings ...... 329
NUREMBERG :—.
Moritz Kapelle :

Van Eyck (J.) ... 105
Stuerbout (D.) ... 296

Holbein . . . . . 322
Gallery:

Holbein ...... 322

Pacioli (Fra Luca), his studies of

perspective . . . . . 63
Paele (G. Van), a patron of J. Van

Eyck . . . . . . . 66
Palencia, pictures painted at, by

Juan de Flandes... 249
Palermo, Antonello da Messina at,

197; his pictures at, lost, 225;

pictures of J. Van Eyck at 101
Parrasio (A.), said to have learnt

the secret of oil-painting from

R. Van der Weyden .. 163
PARIS :

Van der Goes there . 130
National Library :

Pol van Limburg . i. 27

Van Eyck (M.) .... 114
Louvre:

Van Eyck (J.) . . . 96, 179
Justus d’Allamagna . . 146
Memling, (H.) .. 264, 277
Imitators of Van der Weyden,

&c. ........ 321
Palais de Justice :

Van der Goes (H.). . . 137
Baucousin :

Memling (H.) .... 267
Schön · · · ·

324
Rothschild :

Van Eyck (J.) ... .

Memling (H.) ...
Demidoff :

Van Eyck (J.) .... 100
Pourtales :

Antonello da Messina . 218
Catteaux :

Memling (H.) .. 263, 264
Pauwels, architect of Philip the

Good . . . . . . 288
Peloritano Museum, Messina 215
Pesello seeks the oil-medium 208

0.

Oil-painting, discovery and im-

provement of ... 40, 46
Oliva (Pietro), a pupil of Antonello

da Messina . . . . . 209
Oliver of Ghent, a Flemish painter

in Portugal . . . . : 330
Onigo(Agostino), Antonello painted

the tomb of . . . . . 210
Oppenheim Collection 117, 119
Orleans, Duke of, Collection of the 7
Otho, legend of. See Stuerbout.
Ottaviano (O.), possessed pictures

by J. Van Eyck . ... 102
QUWATER (ALBERT VAN), painted

for Haarlem Cathedral, 232; his

landscapes . . . . . 233
Pictures assigned to him:
At Cologne—The Descent from

the Cross ... 233, 319

PETERSBURG :-
Emperor's Collection:
Van Eyck (J.) . . . . 92
Stuerbout (D.) . . . 296
Philip the Good appoints J. Van
Eyck his varlet, 50 ; his cha-
racter, 51; his varlets, 52; his
bounties, 56, 57; his destruction
of the Limburg cities 83, 84
Philip the Hardy, presents of,
12, 13
Philip II. of Spain obtains a copy
of the “Agnus Dei" of St.
Bavon . . . . . . . 78
Piaggio, a painter at Genoa. 147
Pinerolo, a painting at . . 6
Pino da Messina, a pupil of Anto-
nello da Messina . 209
Pisanello, Zingaro studies the man-
ner of . . . . . . . 202
Pistoia, the Puccini palace, picture
by Van der Goes at . . . . 13
Planché, his opinion of the Stafford
House portrait . . . . 108
Pollaioli (The), influence of Flem-
ish art on them . 227, 321
Ponz, his notices of pictures 93
Portinari, a patron of Van der
Goes, 128, 129; his portrait at
Florence . . . . 134, 135
Portugaloys (Simon), a pupil of
Goswyn Wander Weyden 170

R.

Regnault (Amand), a painter 232
Reims (A.), a patron of Memling,
246
Réné of Anjou, 197, 198; his la-
bours and imprisonment — he
paints in oil . 199
Robert of Bethune, paintings on
the tomb of . . . . . 3
Rogers' Gallery, 106, 109, 190,
240, 253,265,282, 295
Rollin (Chancellor), his character,
65; commissions a picture of J.
Van Eyck, 65; commissions of
Van der Weyden—the Beaune
altar-piece . . . . . 163
RoME, Antonello da Messina goes
to, 196; Van der Weyden's visit
to . . . . . . . . 165
Starnina (Gher. di Jacopo), his pic-
tures in Spain . . 325, 326
Steclin (Gilles), an engraver of gold
—praise of him by Lemaire 331
Steclin (Hans), an engraver of gold
—praise of him by Lemaire 331
Stefano (Fiorentino), his perspec-
tive . . . . . . . . 62
Stephen of Cologne, his pictures
—the Adoration of the Magi,
315; the Madonna and Child, 316
St. John, Hospital of, legend of
Memling . . . . . 243
St. Martin, Courtrai, painting there
by Gestele . . . . . 32
St. Martin, Ypres, picture there
left unfinished by J. Wan Eyck
67

Doria Gallery:
Van Eyck (J.) . . . 100
Roodendaele, Wan der Goes dies
there . . . . . . . 133
Roselede (Church of), pictures
there . . . . . . . . 32
Rotterdam (M. Wan), pictures in
the possession of, assigned to J.
Van Eyck . . 105, 280
Roubaix, (Sire de), ambassador of
Philip the Good . . . 53

Rouen:—

FIOtel de Ville:
Imitator of Memling . .276
Van Eyck (J.) . . . .276

Ruysbroeck (J. Wan), an architect,

159, 162
S.
SALAMANCA :—
St. Clement:
Gallegos . . . . 328

Santi (Giov.), his praise of John
Wan Eyck . . . . 47, 153
Schön (M.), his manner—picture
at Paris, 324; picture by Van
der Weyden falsely attributed to
him at Vienna, 188; he is in-
fluenced by Van der Weyden,
- - - 172
Schopenhauer (Madame), assigns
Danzig altar-piece to Wan Eyck,
99

Schoreel (Jan) restores the altar-
piece of St. Bavon . . . 78
Scoenere (Saladin Wan) . . 33
Segovia (Juan de), an imitator of
the Flemings. . . . . 328
Semino, a painter of Genoa 147
Seville, Pedro Nunez paints there,
- 329
Simonz (Hennen), a pupil of Gos-
wyn Van der Weyden . 170
Sluter (Claux), a sculptor . . 26
Squarcione . . . . 22, 191
Staedel Gallery, 91, 176, 183, 192,
266, 298,333
Stafford House Gallery . . 108
Standards, painters of . . 8, 9
Stanzioni(M.), his abuse of Flemish
painters . . . . . . . . 98

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