A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. 41
... Shakespeare's Voice (1992). Linklater, Berry, who ran the RSC's Voice Department, and Patsy Rodenburg, long-time Director of Voice at the Royal National Theatre, are superb voice coaches who have achieved outstanding success countering ...
... Shakespeare's Voice (1992). Linklater, Berry, who ran the RSC's Voice Department, and Patsy Rodenburg, long-time Director of Voice at the Royal National Theatre, are superb voice coaches who have achieved outstanding success countering ...
Стр. 49
... Shakespeare play can be appropriated to diverse uses. It may make sense to ... Shakespeare [because] change has enabled them to live together, happily ever ... Royal Shakespeare Company since 2000, an example, within a theatre company ...
... Shakespeare play can be appropriated to diverse uses. It may make sense to ... Shakespeare [because] change has enabled them to live together, happily ever ... Royal Shakespeare Company since 2000, an example, within a theatre company ...
Стр. 50
... Royal Shakespeare Theatre, finally establishing a permanent purpose-built London base at the Barbican Theatre (with its small stage, the Pit) inside the City of London, touring regularly to Newcastle after the close of the Stratford ...
... Royal Shakespeare Theatre, finally establishing a permanent purpose-built London base at the Barbican Theatre (with its small stage, the Pit) inside the City of London, touring regularly to Newcastle after the close of the Stratford ...
Стр. 52
... Royal Shakespeare Theatre into a sound-stage for filming RSC shows, returned to the ensemble model of company with a long-term plan of a permanent grouping that raised the stakes to something that smacks even more of the Comédie ...
... Royal Shakespeare Theatre into a sound-stage for filming RSC shows, returned to the ensemble model of company with a long-term plan of a permanent grouping that raised the stakes to something that smacks even more of the Comédie ...
Стр. 53
... Royal Shakespeare Theatre in the summer of 2002, for instance, did finally, after much searching, cast an Antony in Stuart Wilson, but his return to the stage after a long absence showed why he is a good film actor who had realized that ...
... Royal Shakespeare Theatre in the summer of 2002, for instance, did finally, after much searching, cast an Antony in Stuart Wilson, but his return to the stage after a long absence showed why he is a good film actor who had realized that ...
Содержание
1 | |
11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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