The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 18
... Shakespeare speech in order to clarify the meaning , we know that we will miss important clues into the character which lie precisely in the choice of language , though this could be a necessary and valid stage in our preparation . In ...
... Shakespeare speech in order to clarify the meaning , we know that we will miss important clues into the character which lie precisely in the choice of language , though this could be a necessary and valid stage in our preparation . In ...
Стр. 22
... Shakespeare with groups of schoolchildren - mainly 15 to 18 - year - olds that those who are classed as low ability readers get a stronger , clearer and more immediate response to the physical nature of the words and images , and are ...
... Shakespeare with groups of schoolchildren - mainly 15 to 18 - year - olds that those who are classed as low ability readers get a stronger , clearer and more immediate response to the physical nature of the words and images , and are ...
Стр. 33
... Shakespeare gives it a new life . The resistance I think comes from a feeling that the language does not belong to you in the same way as modern writing . Fourthly , we have to be open to different speech patterns . Modern speech ...
... Shakespeare gives it a new life . The resistance I think comes from a feeling that the language does not belong to you in the same way as modern writing . Fourthly , we have to be open to different speech patterns . Modern speech ...
Стр. 34
... Shakespeare and the Jacobeans that strike our ears as being totally modern , where the spareness and directness of a line can make us catch our breath in surprise at its contemporary ring . I think of lines from Coriolanus , or the ...
... Shakespeare and the Jacobeans that strike our ears as being totally modern , where the spareness and directness of a line can make us catch our breath in surprise at its contemporary ring . I think of lines from Coriolanus , or the ...
Стр. 35
... Shakespeare and the Jacobeans , and the naturalistic modern text of the last forty or so years . Because the contrast is sharp , we will learn more , and it will enable us to deal better with other areas of writing . What is also ...
... Shakespeare and the Jacobeans , and the naturalistic modern text of the last forty or so years . Because the contrast is sharp , we will learn more , and it will enable us to deal better with other areas of writing . What is also ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing