The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 22
... actors to grasp : the fact that people understand words at a much simpler level than we have come to expect a more intuitive level . They will also pick up the gaiety which is there . So , we have to find ways to get ... ACTOR AND THE TEXT.
... actors to grasp : the fact that people understand words at a much simpler level than we have come to expect a more intuitive level . They will also pick up the gaiety which is there . So , we have to find ways to get ... ACTOR AND THE TEXT.
Стр. 23
... actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the logic of the character , will tend to be didactic and overweight the stress of the words . Technically ...
... actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the logic of the character , will tend to be didactic and overweight the stress of the words . Technically ...
Стр. 24
... actors have to work at their craft because they are always being faced with the challenge of new work , and because they want to continue to develop and perhaps do more ambitious parts . Because every job presents ... ACTOR AND THE TEXT.
... actors have to work at their craft because they are always being faced with the challenge of new work , and because they want to continue to develop and perhaps do more ambitious parts . Because every job presents ... ACTOR AND THE TEXT.
Стр. 25
... actors find great benefit from work in the Alexander Technique which teaches a conscious awareness of bodily alignment , and through this a freeing of physical tension in both movement and stillness . But relaxation of itself is not a ...
... actors find great benefit from work in the Alexander Technique which teaches a conscious awareness of bodily alignment , and through this a freeing of physical tension in both movement and stillness . But relaxation of itself is not a ...
Стр. 26
... acting terms , how the character breathes is how the character thinks . The breath must encompass the thought , no more or less is needed : that is the precise energy of the thought . If we think of breath in this way ... ACTOR AND THE TEXT.
... acting terms , how the character breathes is how the character thinks . The breath must encompass the thought , no more or less is needed : that is the precise energy of the thought . If we think of breath in this way ... ACTOR AND THE TEXT.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing