The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 26
... exercises will give purpose to the breath , will make it organic to what we are saying . The further we go in getting this integration of breath and thought --- and by thought I mean the utterance of a character charged with whatever ...
... exercises will give purpose to the breath , will make it organic to what we are saying . The further we go in getting this integration of breath and thought --- and by thought I mean the utterance of a character charged with whatever ...
Стр. 28
... exercises the old kind of ' patter ' exercises - will make the tongue and lips move more quickly , and for that purpose are good , but they will not necessarily enhance our use of words . For each word has its own energy and substance ...
... exercises the old kind of ' patter ' exercises - will make the tongue and lips move more quickly , and for that purpose are good , but they will not necessarily enhance our use of words . For each word has its own energy and substance ...
Стр. 29
... exercises for muscularity ( or articulation ) it is this awareness we are preparing for : the perception of the length and movement of the vowels , and the length and vibration of the con- sonants , for it is this that keeps the ...
... exercises for muscularity ( or articulation ) it is this awareness we are preparing for : the perception of the length and movement of the vowels , and the length and vibration of the con- sonants , for it is this that keeps the ...
Стр. 52
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Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing