The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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Стр. 22
... keep them within that connotation . Our eyes take in a grammatical set of words a sense clump - and we make a judgement on them from a cultural and sense point of view , so that our initial response to them is a ' read ' one and not an ...
... keep them within that connotation . Our eyes take in a grammatical set of words a sense clump - and we make a judgement on them from a cultural and sense point of view , so that our initial response to them is a ' read ' one and not an ...
Стр. 23
... keeping it at a totally logical level . It is literal and allows for no ambiguity , and therefore no richness of texture . In other words it is less interesting . At the other end of the scale , the actor who is attracted by the ...
... keeping it at a totally logical level . It is literal and allows for no ambiguity , and therefore no richness of texture . In other words it is less interesting . At the other end of the scale , the actor who is attracted by the ...
Стр. 24
... keep alive to different ways of working and the problems that different spaces may bring . Most actors , for instance , keep up some form of basic movement work . All actors , I think , realize the import- ance of voice and to what ...
... keep alive to different ways of working and the problems that different spaces may bring . Most actors , for instance , keep up some form of basic movement work . All actors , I think , realize the import- ance of voice and to what ...
Стр. 25
... keep our desire for relaxation in its right perspective : to work at it as an end in itself is fruitless , for it unconsciously makes us feel that there is something wrong with our psyche if we are tense , and this in itself creates ...
... keep our desire for relaxation in its right perspective : to work at it as an end in itself is fruitless , for it unconsciously makes us feel that there is something wrong with our psyche if we are tense , and this in itself creates ...
Стр. 27
... keeps due on To the Propontic and the Hellespont , Even so my bloody thoughts with violent pace Shall ne'er look back , ne'er ebb to humble love , Till that a capable and wide revenge Swallow them up . Now , by yond marble heaven , In ...
... keeps due on To the Propontic and the Hellespont , Even so my bloody thoughts with violent pace Shall ne'er look back , ne'er ebb to humble love , Till that a capable and wide revenge Swallow them up . Now , by yond marble heaven , In ...
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing