The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
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... listener . If we do exercises only for rapidity , the consonants become over - explosive , the vowels clipped and of the same length , and the speech is flat , and this is what happens when we are acting and going only for speed . This ...
... listener . If we do exercises only for rapidity , the consonants become over - explosive , the vowels clipped and of the same length , and the speech is flat , and this is what happens when we are acting and going only for speed . This ...
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Cicely Berry. individuality as a performer . We need to make the listener remark : the audience must not only hear the words but realize them fully . We have to be continually balancing our need to be truthful with a way of presenting ...
Cicely Berry. individuality as a performer . We need to make the listener remark : the audience must not only hear the words but realize them fully . We have to be continually balancing our need to be truthful with a way of presenting ...
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Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
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Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing