The Early Flemish Painters: Notices of Their Lives and WorksJohn Murray, 1857 - 383 էջ |
From inside the book
Արդյունքներ 100–ի 1-ից 5-ը:
Էջ 3
... manner as the Apostles in the church of St. Ursula at Cologne . ' Their remarkable size causes their imperfection to be parti- cularly visible . A somewhat similar example of this early manner is the Tomb of Robert of Bethune , in the ...
... manner as the Apostles in the church of St. Ursula at Cologne . ' Their remarkable size causes their imperfection to be parti- cularly visible . A somewhat similar example of this early manner is the Tomb of Robert of Bethune , in the ...
Էջ 18
... manner was that of the earliest artists , before the genius of Hubert ennobled the Flemish manner . There are other works also which , like those of Mel- chior , afford an idea of the early state of Flemish art . The Salle des ...
... manner was that of the earliest artists , before the genius of Hubert ennobled the Flemish manner . There are other works also which , like those of Mel- chior , afford an idea of the early state of Flemish art . The Salle des ...
Էջ 45
... manner , it must be borne in mind , is a picture by Petrus Cristus , of the year 1417 , painted in a manner which convinces the spectator that the author of it was the pupil of Hubert Van Eyck . If it be assumed that the earlier improve ...
... manner , it must be borne in mind , is a picture by Petrus Cristus , of the year 1417 , painted in a manner which convinces the spectator that the author of it was the pupil of Hubert Van Eyck . If it be assumed that the earlier improve ...
Էջ 65
... manner which excited jealousy at the ducal court , but who never lost his master's favour . John Van Eyck painted his portrait , kneeling to the Virgin and Saviour . Rollin gave the picture to the church of Autun.3 4 Nor did John ...
... manner which excited jealousy at the ducal court , but who never lost his master's favour . John Van Eyck painted his portrait , kneeling to the Virgin and Saviour . Rollin gave the picture to the church of Autun.3 4 Nor did John ...
Էջ 75
... manner.1 Two groups of choristers , one on each side , cannot be said with the same certainty to be by Hubert . St. John the Baptist was never painted with more austere expression or of more splendid form . The Virgin never was more ...
... manner.1 Two groups of choristers , one on each side , cannot be said with the same certainty to be by Hubert . St. John the Baptist was never painted with more austere expression or of more splendid form . The Virgin never was more ...
Այլ խմբագրություններ - View all
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,G.B. Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1857 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
Common terms and phrases
Adoration adorned Agnus Agnus Dei altar-piece amongst angels Annunciation Antonello Antonello da Messina Antwerp artists attributed Bavon Belgium Belvedere Berlin Cat Broederlain Bruges Brussels Burgundy Catalogue chapel chiaro-'scuro Christ church Cologne colour composition Cristus depicted Dierick Dijon draperies Ducs Duke executed exhibited Eyck's Fcap fifteenth century figures finished Flanders Flemings Gallery Ghent hand head Hubert Van Eyck imitators Infant Italian Italy Jehan John the Baptist John Van Eyck Justus kneeling Laborde laboured landscape latter livres Louvain Madonna Magi manner Margaret of Austria master Memling Memling's Messina Munich Museum noble noticed numerous painted painter panel Passavant Philip picture pointre portion portrait possession Post 8vo prince productions pupil remarkable representing Roger saints Saviour scene Second Edition sentiment Stuerbout style tempera tone trace truth tryptic Vaernewyk Van der Weyden varlet de chambre Vasari Venice vigour Virgin and Child Weyden whilst wings Wood Woodcuts