The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 6 – 10 из 72
Стр. 15
... complex mix of background , physical make - up and personality , and the interactions of one upon the other . And because of this we quite involuntarily make a statement with our voice . This statement 15 SOUND AND MEANING.
... complex mix of background , physical make - up and personality , and the interactions of one upon the other . And because of this we quite involuntarily make a statement with our voice . This statement 15 SOUND AND MEANING.
Стр. 17
... meaning . The crucial thing for us to notice is this : that we frequently get over our intention by loading the sound with meaning , and this overlays and dominates the words . ( And this again is tied up with our subconscious emotional ...
... meaning . The crucial thing for us to notice is this : that we frequently get over our intention by loading the sound with meaning , and this overlays and dominates the words . ( And this again is tied up with our subconscious emotional ...
Стр. 18
... meaning that must always dictate the sound , and not the other way round . It is through the words that we will find the possibilities of the sound . I think this over - consciousness of sound dulls our response to words , and somehow ...
... meaning that must always dictate the sound , and not the other way round . It is through the words that we will find the possibilities of the sound . I think this over - consciousness of sound dulls our response to words , and somehow ...
Стр. 19
... always with wit . Yet words evolved out of noises which were first made to communicate basic needs ; they were in fact signals . And we still have that sense memory within us that resonance if you like. 19 SOUND AND MEANING.
... always with wit . Yet words evolved out of noises which were first made to communicate basic needs ; they were in fact signals . And we still have that sense memory within us that resonance if you like. 19 SOUND AND MEANING.
Стр. 20
... the text with our own meaning , we often become too involved with what we are saying for ourselves , and how we are saying it ; we overplay our own feelings and our own responsibility , so that we do not let 20 THE ACTOR AND THE TEXT.
... the text with our own meaning , we often become too involved with what we are saying for ourselves , and how we are saying it ; we overplay our own feelings and our own responsibility , so that we do not let 20 THE ACTOR AND THE TEXT.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing