The Actor And The TextRandom House, 29 февр. 2012 г. - Всего страниц: 304 Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre. |
Результаты поиска по книге
Результаты 6 – 10 из 33
Стр. 32
... naturalistic writing . To quote from the American Beat poet , Ferlinghetti : the poet like an acrobat climbs on rime For he's the super realist taut truth to a high wire of his own making ... who must perforce perceive before the taking ...
... naturalistic writing . To quote from the American Beat poet , Ferlinghetti : the poet like an acrobat climbs on rime For he's the super realist taut truth to a high wire of his own making ... who must perforce perceive before the taking ...
Стр. 33
... naturalistic . We must find the common ground . For the actor whose main experience has been in modern work , perhaps a good deal of television and film , often the qualities that work well for him in those areas intensity of thought ...
... naturalistic . We must find the common ground . For the actor whose main experience has been in modern work , perhaps a good deal of television and film , often the qualities that work well for him in those areas intensity of thought ...
Стр. 34
... naturalistic ' and ' heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through ...
... naturalistic ' and ' heightened ' . I am taking heightened text to mean writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through ...
Стр. 35
... naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the resonance . What I want to deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the ...
... naturalistic , or ' real ' , it is easy to throw away too much : the audience then loses the resonance . What I want to deal with briefly here is the contrast between the heightened poetic text of Shakespeare and the Jacobeans , and the ...
Стр. 37
Вы достигли ограничения на просмотр для этой книги.
Вы достигли ограничения на просмотр для этой книги.
Содержание
Nature of the image its logic and its inquiry into nature | 52 |
Structure of speeches | 128 |
Shakespeare | 139 |
Metre and Energy | 171 |
Acting Text and Style | 189 |
Further Points of Text | 205 |
Relating to Other Texts | 251 |
Voice Work | 260 |
Further Voice Exercises | 274 |
Further Perspectives | 285 |
Index of Quotations | 297 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
Act II Scene actor antithesis audience aware Barnardo become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago iambic pentameter imagery important Julius Caesar Karn keep King King Lear language Lear Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round sense Shakespeare sing soliloquy Sonnet Sonnet 29 sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing