The European Magazine, and London Review, Հատորներ 81-82Philological Society of London, 1822 |
From inside the book
Արդյունքներ 100–ի 6-ից 10-ը:
Էջ 52
... passion , like the wild March rain , May soil the wreath with many a stain . We gaze , the lovely vision's gone , - A torrent fills the bed of stone , That hurrying to destruction's shock , Leaps headlong from the lofty rock ...
... passion , like the wild March rain , May soil the wreath with many a stain . We gaze , the lovely vision's gone , - A torrent fills the bed of stone , That hurrying to destruction's shock , Leaps headlong from the lofty rock ...
Էջ 61
... passion Of vengeance , leering too with that of last , Sate - my veins curdled.- Myr . Sard . Is this all ? Upon Her right hand , ―her lank , bird - like right hand , stood A goblet , bubbling o'er with blood ; and on Her left , another ...
... passion Of vengeance , leering too with that of last , Sate - my veins curdled.- Myr . Sard . Is this all ? Upon Her right hand , ―her lank , bird - like right hand , stood A goblet , bubbling o'er with blood ; and on Her left , another ...
Էջ 78
... passionate in the passionate scenes , and tender in the more gentle but Romeo is not a cha- racter at all adapted either to elevate , or to fix Mr. Macready's fame . Romeo is the spirit of a lighter sphere , and fondness , and luxury ...
... passionate in the passionate scenes , and tender in the more gentle but Romeo is not a cha- racter at all adapted either to elevate , or to fix Mr. Macready's fame . Romeo is the spirit of a lighter sphere , and fondness , and luxury ...
Էջ 105
... passion . All feelings , passions , and propensities , are natural , however unnatural and disgusting they may appear to refined and delicate minds , provided they agree with the character to which they are ascribed . When we talk of ...
... passion . All feelings , passions , and propensities , are natural , however unnatural and disgusting they may appear to refined and delicate minds , provided they agree with the character to which they are ascribed . When we talk of ...
Էջ 106
... passion for effect which was common to all the wri- ters of his age . Shakspeare , indeed , could paint nothing well that did not require strong colouring . Where the softer affections were to be de- scribed , he had neither the tender ...
... passion for effect which was common to all the wri- ters of his age . Shakspeare , indeed , could paint nothing well that did not require strong colouring . Where the softer affections were to be de- scribed , he had neither the tender ...
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