A Companion to Shakespeare and PerformanceBarbara Hodgdon, W. B. Worthen John Wiley & Sons, 15 апр. 2008 г. - Всего страниц: 704 A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies.
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Стр. 1
... recent past, the chapters in this collection move to explore the fictions and frictions that currently weave through, collide with, and (re)mark its two central terms or keywords (Williams 1985) — “Shakespeare” and “performance” — at ...
... recent past, the chapters in this collection move to explore the fictions and frictions that currently weave through, collide with, and (re)mark its two central terms or keywords (Williams 1985) — “Shakespeare” and “performance” — at ...
Стр. 25
... recent days listening to two suitors “long in our court” woo her, answers Lear's empty ceremony with an emptiness of her own. Cordelia's statements in the love test begin as asides. Sensing that she has failed before she has begun ...
... recent days listening to two suitors “long in our court” woo her, answers Lear's empty ceremony with an emptiness of her own. Cordelia's statements in the love test begin as asides. Sensing that she has failed before she has begun ...
Стр. 38
... recent growth area of Shakespeare publication and a remarkable application of a theory of Shakespeare to a practice ... recently and startlingly for its extraordinary patterns of connections, a book on Inspirational Leadersbip: Henry ...
... recent growth area of Shakespeare publication and a remarkable application of a theory of Shakespeare to a practice ... recently and startlingly for its extraordinary patterns of connections, a book on Inspirational Leadersbip: Henry ...
Стр. 41
... recent work by one of the major figures in voice-training, stands apart from what it is tempting to see as a kind of lunatic fringe of F l-fanatics. It is a clear and effective statement of where such voice work leads and is at least ...
... recent work by one of the major figures in voice-training, stands apart from what it is tempting to see as a kind of lunatic fringe of F l-fanatics. It is a clear and effective statement of where such voice work leads and is at least ...
Стр. 42
... recent fine work on the early modern conception of the body has generated. What Keir Elam has mockingly and unfairly called a “body boom” in the development of “Shakespeare Corp” (1996: 142) has been marked by an uncovering of the early ...
... recent fine work on the early modern conception of the body has generated. What Keir Elam has mockingly and unfairly called a “body boom” in the development of “Shakespeare Corp” (1996: 142) has been marked by an uncovering of the early ...
Содержание
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11 | |
Part II Materialities Writing and Performance | 139 |
Part III Histories | 231 |
Part IV Performance Technologies Cultural Technologies | 397 |
Part V Identities of Performance | 509 |
Part VI Performing Pedagogies | 625 |
Index | 659 |
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A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2008 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Недоступно для просмотра - 2007 |
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actors architecture argues Asian audience authentic Bianca body Cambridge cast character cinema contemporary context costume critical cues cultural Desdemona director drama early modern editors Elizabethan English experience Falstaff Festival film film’s Folio frame gender Hamlet Henry identity imagined Indian intercultural interpretation Kathakali King Lear language Lear’s London Macbeth meaning narrative offer Othello Oxford Peter Petruchio play’s political practice production production’s Quarto race reading recent recording relationship Renaissance Richard Richard III Riot Grrrl role Romeo and Juliet Rosalind Royal Shakespeare Royal Shakespeare Company scene screenplay screenplay edition script sense sexual Shake Shakespeare at Winedale Shakespeare’s Globe Shakespeare’s plays Shakespearean performance social space speak spectators speech stage Stanislavski story Stratford suggests textual theatre theatrical Theyyam Titus Titus Andronicus Titus’s tourist tradition Tranio Twelfth Night University Press voice William Shakespeare women words Worthen writing