The Early Flemish Painters: Notices of Their Lives and WorksJ. Murray, 1857 - 383 էջ |
From inside the book
Արդյունքներ 31–ի 6-ից 10-ը:
Էջ 29
... tempera . ' He cannot but have taken a part in the education of his sister Margaret , and his youngest brother Lambert ; and possibly he had a share in the original efforts made to bring oil medium into practical use in the Netherlands ...
... tempera . ' He cannot but have taken a part in the education of his sister Margaret , and his youngest brother Lambert ; and possibly he had a share in the original efforts made to bring oil medium into practical use in the Netherlands ...
Էջ 40
... tempera pictures , and coloured oleo resinous varnishes , in the final glazing and preservation of the tempera . It will suffice to notice , in a few words , the statement of Vasari , on which Van Mander founds his story as to how the ...
... tempera pictures , and coloured oleo resinous varnishes , in the final glazing and preservation of the tempera . It will suffice to notice , in a few words , the statement of Vasari , on which Van Mander founds his story as to how the ...
Էջ 41
... tempera of his picture . As regards the accident , he gives no certain cause of the damage , which he attributes either to the badness of the wood , or the badness of the joint , or its ill - seasoning . We know that the practice of ...
... tempera of his picture . As regards the accident , he gives no certain cause of the damage , which he attributes either to the badness of the wood , or the badness of the joint , or its ill - seasoning . We know that the practice of ...
Էջ 42
... tempera , and that it dried , and not only did it not dread water , but it increased the vigour of the colour so much , that it gave it lustre of its own without varnish , and , what seemed most mar- vellous , it mingled infinitely ...
... tempera , and that it dried , and not only did it not dread water , but it increased the vigour of the colour so much , that it gave it lustre of its own without varnish , and , what seemed most mar- vellous , it mingled infinitely ...
Էջ 43
... tempera with a sponge , or with the hand , was far too viscous to be useful in mixing colours , and must , therefore , be liquefied . By means of its use the proceedings of the old painters were changed ; and from tempera pictures ...
... tempera with a sponge , or with the hand , was far too viscous to be useful in mixing colours , and must , therefore , be liquefied . By means of its use the proceedings of the old painters were changed ; and from tempera pictures ...
Այլ խմբագրություններ - View all
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,G.B. Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1857 |
Common terms and phrases
Adoration Agnus Alphonzo altar-piece amongst Anonimo di Morelli Antonello da Messina Antwerp artists attributed Bavon Belgium Belvedere Berlin Cat Broederlain Bruges Brussels Burgundy Catalogue chapel chiaro-'scuro Christ church Cologne colour composition Cristus Dierick Dijon drapery Ducs Duke executed exhibited Eyck's Fcap fifteenth century figures finished Flanders Flemings Gallery Ghent hand Hans Memling head History Hospital Hubert Van Eyck imitated Infant Italian Italy Jehan John the Baptist John Van Eyck Justus kneeling Laborde laboured landscape Louvain Madonna Magi manner Margaret of Austria master Meestre Memling Memling's Michiels Munich Museum Naples noble noticed numerous Ouwater painted panel Passavant Philip picture portrait possession Post 8vo productions pupil remarkable Réné representing Roger saint Saviour Second Edition Stuerbout style talent tempera Third Edition tone trace truth tryptic ut sup Vaernewyk Van der Weyden varlet de chambre Vasari Venice Virgin and Child Weyden whilst wings Wood Woodcuts